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We come today
to the third message in the series on the story of the
Prodigal Son. My mentor and senior minister while I was in
seminary preached on this same parable once each year. I often
wondered how he found so many messages in one parable, but I’m
beginning to understand.
Today we look
at the father. Sometimes he is called “The Prodigal Father.”
The suggestion is that only a foolish “prodigal” father would
give his son all his inheritance. The son was wrong to ask,
and the father was wrong to give it. Sometimes the parable is
called the parable of “The Waiting Father.” I like that title.
It means that the real story is not in the son, but in the
father.
The father was
wiser than the son knew. He knew his son was not ready for
such a large wad of money. There is some evidence that the
father in the story was intended to be pictured as a wealthy
man. Rembrandt included some of this in his painting, with all
of the adornments and jewelry on the father. The father knew
the son was impetuous, foolish, prideful and wasteful. He knew
the son better than the son knew himself. In 1957 I went off
to college to study engineering. I learned later that my
father knew ahead of time that I would never make it as an
engineer. He didn’t tell me at the time, but he knew. This
father knew his son better than the son knew himself.
The father
also knew the temptations of money and friends, especially the
temptation to spend a lot of money when one has a lot of
friends. There is an anonymous saying that goes, “A fool and
his money are soon parted.” The father also knew the consumer
mentality of the world. That mentality is fierce and intense
today, but it has always been a factor.
Yet the father
loved his son enough to comply with his wishes. He set the son
free, even though the father felt a very heavy heart.
Now I ask you
to fast-forward about two years. Can you see the father gazing
out on the horizon each morning, hoping to see his son
returning home? Can you see him walking down the path to the
mailbox each day, hoping to find a letter from the son? Can
you see him sitting down on many nights writing a letter that
is never sent—pieces of a letter that he hoped to send if he
could find out where his son had finally landed? Can you see
the father on his knees nightly, praying for his son’s safe
return? William Barclay tells of stumbling on his father one
night when his father was on his knees in prayer beside the
bed. Barclay tiptoed out of the room, thinking to himself, “I
know my father is praying for me.”
God is a
patiently waiting father. He knows our weaknesses. He knows
our hearts. He knows our fantasies—both the appropriate and
inappropriate ones. He allows us to make our mistakes and to
go our own way. Still, God waits expectantly for us to return
home.
And so
Rembrandt paints the father. Look at him closely. See the
details. Again, the painting is somewhat un-Biblical. There is
no indication that the father ran to meet the son in this
painting. Rembrandt painted the father as a very old man.
Could an old man really run to meet his son?
Rembrandt also
paints the old man as almost blind—perhaps with cataracts,
perhaps with glaucoma, perhaps with macular degeneration. But
if you look closely at the painting you’ll see that the eyes
of the father are not focused on his son, but more gazing off
somewhere to the right. Henri Nouwen says, “The father
recognizes his son, not with the eyes of the body, but with
the inner eye of the heart.”[i]
There is an inner beauty to the father. There is always an
intense beauty to the interior life.
The father is
also dressed in his finest clothing and jewelry. He affords
his son a royal welcome. He wears his best red cloak.
As Henri
Nouwen studied the painting, he paid close attention to the
hands. I’m not sure I would have noticed any of this. I know
that I will never take any great piece of religious art for
granted again. I once raced through the Louvre in Paris in
about 30 minutes, trying to catch all the highlights. I will
never do that again.
Look at the
hands. The light in the painting is concentrated on those two
hands. The eyes of the bystanders are focused there as well.
The older brother is not looking at the father or the son.
He’s gazing down at the hands. So, also, the man who sits
behind the older brother. The left hand is strong, muscular.
The left hand has strength to hold. The fingers are spread
wide apart. The right hand is refined, soft, tender, fingers
closed. The right hand lies gently on the boy’s shoulder to
caress, to stroke, to console, and to comfort. Nouwen says,
“It is a mother’s hand.” Is this not a wonderful illustration
of the mother/father aspect of our God?
There are at
least two other drawings of the return of the Prodigal Son by
Rembrandt. No artist has done this scene more often or as
effectively. Both are interesting. One was painted about 1636
when Rembrandt was in his early 30s. Again the scene takes
place at the door of the home. The boy has dropped his walking
stick. His face is buried in his father’s cloak. On the
right-hand side of this drawing you can see the servants
bringing new clothes and new shoes, a ring, as the father has
ordered.
The second
drawing is about six years later in 1642. In this drawing
perhaps the father has come running to meet the son, or
at least walking quickly. It is the father’s walking stick now
that is on the ground. A small boy in this particular drawing
looks on in some amazement.
But the
painting of our concern in the last year of Rembrandt’s life
is the most powerful one. Henri Nouwen writes, “There is
enormous stillness in this portrait of God.”[ii]
There’s a story of a little boy who was doing some drawing one
day. His mother asked him what he was drawing. He said, “I’m
drawing a picture of God.” The mother said, “But honey, nobody
knows what God looks like.”
“They will
when I’m finished,” replied the boy.
There is
enormous stillness in this portrait of God. Perhaps it raises
some questions for us to consider.
HOW GENEROUS?
Just how
generous is our God? Does God give it all? Does God give all
God is and God has? Does God give us our inheritance early?
The answer is
probably “yes.” God has given us a beautifully created garden
to care for. God says simply, “Here. This is yours.” Note that
we may not be doing such a great job of taking care of the
garden. But it is still God’s gift.
God gives a
sense of meaning to our days. I don’t know how important that
is to you, but it is exceedingly important to me. I know
because of my own faith in God that my life is given meaning
far beyond anything else it could have. Not because I’m a
minister, but just because I’m a human being.
God gave Jesus
to live among us and to willingly die for God’s dream about
what humanity should look like. God gives eternity that can
begin right now.
God is a God
of astounding generosity. Some of you may remember a parable
about the workers in the vineyard. It’s a story that Jesus
told about a group of workers who go to work for a vineyard
owner. Some of them work all day, starting at 6:00 in the
morning. Some only work one hour, beginning at 5:00 in the
afternoon. When the time comes for the pay, they are all paid
equally the same. If you know the parable, you may know the
key questions that Jesus places in the mouth of the vineyard
owner in that parable. He says, “Am I not allowed to do what I
wish with what belongs to me?” Or, “Do you begrudge me my
generosity?” God is a God of astounding generosity.
HOW FORGIVING?
And just how
forgiving is our God? The parable implies that God is more
forgiving than we can ever know or appreciate. There is
enormous forgiveness in our God. This parable suggests that
God has no desire to punish His children. Note the words of
Jesus: “Quickly, bring the shoes for his feet.
Quickly, put clothes on his back. Quickly, bring
him the family ring. Quickly, kill the fatted calf and
prepare a feast. We’re going to celebrate.” God knows that we
are already punished by our own waywardness. The younger son
is punished by his outward waywardness; the older son perhaps
punished by his inner waywardness—his resentment.
Again, this is
why Luke 15 is considered by some to be definitive. Luke 15
contains the parables of the lost sheep, the lost coin, and
the lost son. Eugene Peterson’s translation of that chapter
begins with these words. Before any of the parables are told,
he translates Luke this way:
By this time a
lot of men and women of doubtful reputation were hanging
around Jesus, listening intently. The Pharisees and religion
scholars were not pleased, not at all pleased. They growled,
“He takes on sinners and eats meals with them, treating them
like old friends.”
Then Peterson translates Luke this way.
Their grumbling
triggered these three stories…”
God only has
an immense desire to bring His children home. Brian McLaren
writes:
No one will force
you to enjoy the party at home. But it’s hard for me to
imagine somebody being more stubbornly ornery than God is
gracious.[iii]
Something else
is clear in this parable and in this setting. God will never
throw your past failures back in your face. I can’t imagine
the father ever bringing up the son’s decision to leave home
after the son returned. God never seems to say, “You know,
son, I remember how you disappointed me.” Somewhere in the
Scripture there’s a text where God says, “I will remember your
sins no more.”
I can’t even
imagine the father being rude to the son. Someone gave me a
list of the world’s worst questions—questions like, “Are you
asleep?” Another of those questions is this: “You don’t
honestly expect me to believe that, do you?” The son comes
home to his father. He tells his father his story. One thing
the father does not say is, “You don’t honestly expect
me to believe that, do you?”
You can always
choose to go somewhere else away from home. God knows the pain
and the emptiness that can cause. God wants you home, wherever
you may have been. Home is where you find everything you have
been searching for. God is the meaning, the solution, the
answer, and the joy of this life.
FINDING THIS GOD
So the
question becomes, “How can I find this God? How can I discover
this generous and oh-so-forgiving God? How can I discover and
connect with this God? How can I find my way home? I’ve made a
mess of my life. I want to be different. How do I find God?”
The parable suggests you can start home, but you have to let
God find you. Soon the question becomes, “How can I let God
find me?”
Remember the
key line in the parable: “He came to himself.” When you
recognize who you really are, when you recognize what is
really important, when you realize to Whom you really belong,
you are on your way home. You are on your way to being found.
You do not
need to let go of your career path. Instead you allow your
career path to serve God in some way. You do not need to let
go of all of your possessions. You allow your possessions to
work for God. You do not need to forego the great celebrations
of life. You allow each celebration to incorporate the reality
of God.
“He came to
himself, and he started home.” When you begin to think in this
new way, when you begin the journey, God will find you and
welcome you home.
When you make
the smallest start, the smallest beginning, the slightest
turn, God will rush to meet you. God will welcome you. God
will put a ring on your finger and shoes on your feet.
One writer
says of this parable, “No one who wants to come home will ever
be turned away.” And that, my friends, is the greatest gift
that life affords. It is also the greatest story ever told.
[i] Return of the Prodigal
Son, p. 94
[iii] The Last Word and
the Word After That, Brian McLaren, p. 138
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