|
Someone said
that many of Jesus’ parables have three main characters or
groups of characters. This is certainly true of the Parable of
the Prodigal Son. First there is the younger son, who takes
off with his share of the inheritance, squanders it, and then
comes crawling back. Secondly, there is the older son, who
stayed at home. He did everything he was asked to do. He is
the one who resents his father’s extraordinary welcome home to
his philandering sibling. And finally there is the father, who
gave the younger son all he asked for, knowing that he would
lose it all. Yet he welcomed him home in a memorable gesture
of forgiving love.
All three of
these are depicted in the painting by Rembrandt entitled “The
Return of the Prodigal Son.” Clearly the older son is in the
painting. He is at the far right. If you look closely you can
see the resemblance to the father—including the beard. He is
dressed richly, like the father—a very similar kind of cloak,
lots of jewelry, and other ornate trappings. This is the elder
brother.
Now it is
clear that this is not the way Jesus told the story. In a
sense the painting is un-Biblical. Jesus said the elder
brother was out in the fields, doing his chores. He heard the
sound of merriment and dancing, so he asked a servant what was
going on. The servant informed him that his younger brother
had returned and his father had thrown a party. The older
brother refuses to go into the party. The father comes out and
pleads with him, and we do not know the results of that
particular scene.
Rembrandt
shows the older brother differently. He shows something of the
inner drama of the soul. The older brother is off to one side
in the painting, watching closely. His hands are clasped
tightly together, as though to hold in his own anger and
resentment. There is a dark space between the father and
younger son, and the older son—almost a chasm of black. The
light from the father’s face flows through his whole body. The
light from the older son is cold and constricted. In a real
sense, the older son simply does not know what to say.
It reminds me
of a letter I read from Ann Landers some years ago. A woman
who was about to get married wrote this letter:
Dear Ann: I need
your help in deciding what to do. My brother graduated from
Kentucky University with honors in electrical engineering. My
father was convicted of rape and spent 20 years in prison. My
mother was found guilty of embezzlement and spent 6 years in
prison. My grandfather was caught stealing a horse out in west
Texas and was lynched by an angry mob. And my uncle has been
in and out of jail many times for public drunkenness. What I
need to know, Ann, is whether or not I should tell my fiancé
about my brother at Kentucky University?
Rembrandt
shows the deep isolation here in the part of the older
brother. It is as though there was a black space between them.
Is it anger, or jealousy? Is he very put out? Is he full of
himself? Is he rigid? Is he resentful? Is he unhappy? A Sunday
school teacher was teaching the children the story of the
Prodigal Son. She asked the children, “Who was most upset when
the Prodigal Son returned?” One child raised his hand and
said, “I think it was the fatted calf.”
Perhaps the
older son wishes he had some of that closeness he now seeks
between his father and his brother. But he is in bondage to
the rules. He has a very sure inner anguish. He nurses his
anger. That’s the inner trauma of the soul here.
Maybe it’s
something like the “oldest child syndrome.” Henri Nouwen tells
his own story of being the oldest child in his book on the
painting. Listen to what he says.
I did all
the proper things, mostly complying with the agendas set by
the many parental figures in my life… but at the same time I
often wondered why I didn’t have the courage to “run away” as
the younger son did.
It is
strange to say this, but, deep in my heart, I have known the
feeling of envy toward the wayward son. It is the emotion that
arises when I see my friends having a good time doing all
sorts of things that I condemn. I called their behavior
reprehensible or even immoral, but at the same time I often
wondered why I didn’t have the nerve to do some of it or all
of it myself.[i]
How many of
you are the oldest child in your family? I am. I was/am the
oldest of three. I stayed at home. I never rebelled very much.
I went to church. I became president of the youth group. I
sang in the choir. I was not the perfect son, but I guess I
was close. (Yeah, right!)
My youngest
sister was not a prodigal, but she was far more spirited than
I. She had lots of friends. She was socially active. She
seemingly was favored by my mother. She was the one who was
forgiven by my dad when she wrecked the car. When she got
married, she and her husband went off to Viet Nam for several
years and then to several countries in Africa. Mother and Dad
followed her—to Viet Nam and then to Africa. When she finally
came back to the United States she settled in a cabin in the
woods in central North Carolina. When my father died, where
did my mother decide to settle? We took her on tours of Asbury
Heights and Friendship Village here in Pittsburgh. But she
settled about a half-hour from the cabin in the woods in
central North Carolina! My other sister and I could always say
to my mother of her, “You always loved her best!”
The story of
the older brother is a story of someone who felt slighted, who
felt resentment. It was as though he was saying, “How can you
be so gracious, Father, after what he did—after he took his
share of the inheritance and blew it?”
What do we
learn from this part of the parable? What is Jesus teaching?
What is Rembrandt saying about the teaching?
SEEING THE WORLD IN BLACK AND WHITE
First of all,
God does not see the world in black and white. That’s a hard
lesson for us to learn. We want things to be right or wrong,
good or bad, fair or unfair, just or unjust. If you live
right, the reward is heaven. If you live wrong, well, the
penalty is probably hell.
The teaching
in this parable is that God does not necessarily see things
that way. Jesus did not see things that way. Jesus was not the
hardest on the adulterers or the thieves or the cheats. He was
the hardest on the Pharisees, who saw everything as black or
white.
We tend to
want to see the world as good and evil. I read a story of the
lead hijacker in the 9-11 attacks on the World Trade Centers.
His name was Mohammed Atta. He perpetrated a horrendous evil
and additionally a wasted suicide. But in a diary that he left
behind he had written these words: “God, I trust you. I lay
myself in your hands. Allow me to glorify you in every
possible way. Purify my heart and clean it from all earthly
matters.” After writing these words down, he flies a plane
into the World Trade Center. What is that about? How does God
receive his prayer? How does God receive that life?
Jesus says God
wants to welcome home the wayward and the lost, and God
wants to welcome home the faithful and the steady. God wants
all of His children home!
Jesus reveals
a God who is incredibly generous. I just finished reading a
new book by Brian McLaren called A Generous Orthodoxy.[ii]
He makes the case that God is amazing in His grace and in His
acceptance.
God wants the
younger and the elder brother to come home.
THE RESENTMENT IS HARD TO OVERCOME
Another thing
revealed in this parable is that resentment is hard to
overcome. It’s hard to give up—hard to surrender to God. It
may be easier to find grace from a dissipated life of wild
living than from a life of pent-up resentment. It may be
easier to find forgiveness when we’ve really blown it than
from a nagging resentment that goes on and on.
Henri Nouwen
writes this about the older brother.
It is not
so difficult to sympathize with a lustful character who
indulges in the pleasures of the world, then repents, returns
home, and becomes a very spiritual person. But appreciating a
man with deep resentments is much harder to do.[iii]
And later
Nouwen writes,
Returning
home from a lustful escapade seems so much easier than
returning home from a cold anger that has rooted itself in the
deepest corner of my being.[iv]
Rembrandt’s
painting shows an older brother with a long road ahead. The
younger brother has made his trip home. The older brother has
a long way to go.
Plus we are
also reminded of what causes the most damage in life. Is it
hard living, or is it resentment? Both, of course, exact a
heavy price. But we now know that resentment has its own
penalty. A huge number of persons who have to deal with
chronic illness and hospitalization are those who carry
resentment and anger around for a long time. Perhaps even
cancer and heart disease are caused by resentment.
THE FATHER WANTS JOY
The third
thing we learn about the parable is that the father wants joy
in his house. He talks to the older brother outside the house.
He says to him, “Come on inside, son. Join the party.”
In Rembrandt’s
painting the older brother looks at the scene, but not with
joy. He does not reach out. There is no smile. There is no
sense of welcome on his face.
We do not know
what the older brother decided to do. That’s the mastery and
the mystery of Jesus’ parable. It’s open-ended. Did he join
the party inside? Did he eventually kneel at his father’s feet
for a blessing? Or did he nurse resentment for the rest of his
days?
We don’t know.
Jesus may have intentionally left that part out. But we know
what God intends. God intends joy for all of His Kingdom. God
throws a party for the repentant son and eagerly invites the
older son to join the party.
It’s
interesting what Jesus says earlier in this 15th
chapter of Luke. He says something like this: “There is more
joy in heaven over one sinner who repents than over ninety and
nine who need no repentance.” We are to participate in the joy
without resentment.
The face of
the older brother tells me that joy and resentment cannot
co-exist with each other. That’s part of the message here.
Are any of you
lost while still at home? Are any of you like the older son?
God invites you to give up your old resentments and grudges.
God gives you sufficient grace to do just that. There is no
need to question God’s incredible generosity. There is no need
to compare yourself to others.
Just join in
the joy of the Kingdom. Join in the party for forgiven and
forgiving sinners. Join in the festive celebration of Kingdom
living. Come on inside. Come to the party.
[i] The Return of the
Prodigal Son, Image Books, Doubleday, p. 70
[ii] Published by Zondervan
Press in 2004. The hardcover price of the book is about
$20. A discounted price is available at Amazon.com
[iii] The Return of the
Prodigal Son, p. 65
|